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82nd VENICE INTERNATIONAL FILM FESTIVAL: Guillermo del Toro’s Frankenstein.

  • Writer: ultimatetrendymag
    ultimatetrendymag
  • Sep 4, 2025
  • 2 min read

Shown in official competition, the film received a thunderous reception: a standing ovation lasting between 13 and 14 minutes, moving both the director and his cast to tears.


Article and photos by Marco Lorè


Guillermo del Toro / Credits: Marco Lorè



The movie is visually stunning, showcasing the director’s signature gothic design, meticulous costumes, and evocative cinematography.

Del Toro’s personal touch is unmistakable, finally realizing a project he had long dreamed of bringing to the screen.

At the heart of the film is Jacob Elordi, delivering a raw and emotional performance as the Creature.

Paris Jackson / Credits: Marco Lorè
Paris Jackson / Credits: Marco Lorè

Felix Kammerer / Credits: Marco Lorè
Felix Kammerer / Credits: Marco Lorè



His portrayal transforms the monster into a tragic, deeply human figure—evoking empathy and identification rather than fear.

Many critics already see Elordi as a serious contender for awards season.

Opposite him, Oscar Isaac plays a tormented Victor Frankenstein, though some reviews suggest his performance leans toward the overly theatrical, lacking the nuanced balance of the Creature’s arc.

Not all reactions were glowing.

Some critics argued that, while visually spectacular, the film occasionally feels melodramatic or narratively shallow.

Others pointed to its length (about 149 minutes) and stretches of heavy-handed exposition that slow the pace.


Christoph Waltz / Credits: Marco Lorè
Christoph Waltz / Credits: Marco Lorè

Strengths

Weaknesses

Breathtaking visuals and gothic mood

Sometimes melodramatic, lacking narrative depth

Jacob Elordi’s moving performance

Over-explained scenes and occasional excess

Bold, personal artistic vision

Long runtime and uneven pacing

Huge emotional impact (standing ovation)

Oscar Isaac’s portrayal sometimes over the top

Jacob Elordi / Credits: Marco Lorè
Jacob Elordi / Credits: Marco Lorè

Mia Goth / Credits: Marco Lorè
Mia Goth / Credits: Marco Lorè


With Frankenstein, Guillermo del Toro delivers an emotionally charged and visually powerful reimagining of Mary Shelley’s classic.

The film isn’t flawless—it can feel overlong and a bit heavy-handed—but its haunting atmosphere and Elordi’s soulful creature make it one of the most talked-about works of the festival.


Guillermo del Toro / Credits: Marco Lorè
Guillermo del Toro / Credits: Marco Lorè

Oscar Isaac / Credits: Marco Lorè
Oscar Isaac / Credits: Marco Lorè

 
 
 
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